過去討論台灣日治時期（1895-1945）電影，總以商業電影和政宣新聞為主，卻忽略了當小規格膠卷與攝放機透過日本傳入，在台日人及台灣人都得以隨手記錄島嶼上的生活、事件與風景，也是重要的動態紀錄；這些未經雕琢的影像，在數十年後，成為我們想像並解析殖民時期的檔案，與出自官方的紀實影像對比，在在暗藏著「殖民現代化」的表徵，而更多業餘電影的足跡與社群，存在於當年的文宣、報章、雜誌。本場次選映多部早期影像，透過學者解密文獻，另闢重新認識日治影史的蹊徑。

This film is first film of Nikola Vukcevic - one of the best students of famous Yugoslav prohibited author - film director Vlatko Gilic (Cannes film festival: "DANI OD SNOVA" - 1980, "KICMA" - 1977, "MOC" - 1973) 　　Dani Od Snova is a routine, slightly superficial look at a young woman's romantic coming-of-age. The attractive teen is tending a flock of sheep in the middle of nowhere, nowhere except for an adjacent military base. One of the pilots at the base has a penchant for flying low over the sun-bathing maiden as he snaps a photo or two of her on the ground. This is a whole new way of making a pass, but it works. He later arranges to contact her and brings his photos with him, along with his dishonorable intentions. 　　In the ambient of wide, sun-burnt fields, a young girl spends her summer vacation keeping a flock of sheep. It seems impossible that anything will change the slow rhythm of everyday's life and her solitude. From the near airport, planes are flying over the field in which she is keeping her flock. One of them separates. The pilot of that plane and the girl start youthful and spontaneous game. The place where the girl has found her peace soon becomes the place of search for true love. But, maybe this is just a dream. 　　In an enviroment of endless space, a blazing field and sky, the young girl Jelena spends her summer vacations looking after a flock of sheep. It seems impossible that anything could change her state of loneliness. Planes from a nearby airport fly over Jelena's field. One of them separates from the rest. The pilot and Jelena start a true youthful and spontaneous game. The place where Jelena found her peace now becomes a place for the search for complete love. The experience of the feel of touch illiminates the possibility that all this could have been but a dream. 　　Vlatko Gilic - got the awards in Oberhausen, Berlin, was nominated for Oscar and Golden Globe - in the category of the best foreign film etc. He was prohibited by Yugoslav communists during the 80's of XX ct., and by Slobodan Milosevic during the 90's of XX ct, and he became University professor at Academy of Arts Novi Sad, at department of Film Direction, as Main professor.

This documentary shows Arvo Pärt at home with his family and working in his study. He is interviewed/provides voiceover in Estonian/Russian with subtitled English translations. Concert rehearsals (The Hilliard Ensemble/ Western Wind Choir/Paul Hillier) (unknown Finnish choir & orchestra/Eri Klas) and a studio session (Arvo Pärt: Yamaha DX7 keyboard, Jan Garbarek: tenor saxophone & Manfred Eicher: engineer) for the unreleased recording of what is reputedly Aetos are shown. Also a few minutes of the Kremer/Grindenko/Schnittke /Sondeckis Tabula Rasa performance is shown which would lead one to think that there is a complete video recording of that as well as the WDR Radio recording used for the ECM release. The tone of the documentary alternates from serious interviews/work to humorous scenes of Pärt clowning around and German "man on the street" interviews with people being asked "Who is Arvo Pärt?". Overall, a fascinating view into Pärt's work and lifestyle. 　　(Alan Teder)

エステティシャンの雅美(佐々波綾)は2年前、故郷の専門学校を卒業すると、先に上京していた恋人の直紀(太田望)の元に転がり込み、同棲を始めた。だが、マンネリな暮らしでセックスレスとなってしまった直紀に愛想を尽かし、別れようと家を出たのだった。そんな雅美は、東京の下町で夫と喫茶店を営む叔母の美紗(美泉咲)を訪ね、暫らく居候させて欲しいと願いでる。天真爛漫な雅美の願いを、面倒見の良い美紗は快く受け入れた。しかし、夫の卓也(竹本泰志)は大反対だった。店舗の2階にある自宅は寝室がひと間しかなく、こんな歳若い娘が寝起きするには無理があると…。だが、行く当てのない姪を追い返すわけにもいかず渋々受け入れる卓也であったが、その晩から奇妙な「川の字」での暮らしに眠れない夜が始まるのであった。

エステティシャンの雅美(佐々波綾)は2年前、故郷の専門学校を卒業すると、先に上京していた恋人の直紀(太田望)の元に転がり込み、同棲を始めた。だが、マンネリな暮らしでセックスレスとなってしまった直紀に愛想を尽かし、別れようと家を出たのだった。そんな雅美は、東京の下町で夫と喫茶店を営む叔母の美紗(美泉咲)を訪ね、暫らく居候させて欲しいと願いでる。天真爛漫な雅美の願いを、面倒見の良い美紗は快く受け入れた。しかし、夫の卓也(竹本泰志)は大反対だった。店舗の2階にある自宅は寝室がひと間しかなく、こんな歳若い娘が寝起きするには無理があると…。だが、行く当てのない姪を追い返すわけにもいかず渋々受け入れる卓也であったが、その晩から奇妙な「川の字」での暮らしに眠れない夜が始まるのであった。

A newly married woman leaves her wealthy husband for a lover who mysteriously disappears. Things start to unravel and become life-threatening on a trip to the husband’s family estate.

一名疯狂的女子（由徐曼华饰演）手持一把巨大的钢刀，接连残忍地杀害了大约五名男子后，气势汹汹地冲进了一间屋子，目标直指屋内的另一名女子（巩晓红饰）。面对这突如其来的恐怖场景，屋内女子惊恐万分，大声呼喊：“我什么都没看到！”试图以此逃过一劫。然而，疯狂女子却质问道：“怎么满墙都是我的像……”这句话不仅透露出她内心的扭曲与疯狂，也为整个故事增添了一抹神秘与诡异的色彩。影片还汇聚了黄光亮、成奎安、陈楼、锺发、欧霭玲、俞秋香、马安等一众实力派演员，共同演绎这场惊心动魄的同床异梦。

삼촌이라 부를 정도로 가깝게 지내던 아빠의 후배 신타로 집에 얹혀 살게 된 토오루. 그런데 알고 보니 삼촌의 아내가 자신의 고등학교 동창생 미히로였다! 설상가상으로 미히로는 고등학생 때에 토오루를 좋아했었다고 고백하고, 토오루 역시 미히로를 보며 설레는 마음을 감출 수 없다. 삼촌 몰래 한 집안에서 벌어지는 스릴만점 섹스 라이프.

삼촌이라 부를 정도로 가깝게 지내던 아빠의 후배 신타로 집에 얹혀 살게 된 토오루. 그런데 알고 보니 삼촌의 아내가 자신의 고등학교 동창생 미히로였다! 설상가상으로 미히로는 고등학생 때에 토오루를 좋아했었다고 고백하고, 토오루 역시 미히로를 보며 설레는 마음을 감출 수 없다. 삼촌 몰래 한 집안에서 벌어지는 스릴만점 섹스 라이프.